![]() The trick to it is Ellroy's incomparable style fast, punchy, telegrammatic prose that demands to be read quickly and that flows like an enraged river. ![]() However, Ellroy keeps things moving at breakneck speed at all times, which is a fantastic feat considering this is a 448-page novel that delves deep into a plethora of scenes and seamlessly mixes fact and fiction. The Enchanters is so complex, multilayered, and full of characters that there is a four-page list of characters at the end as well as a glossary of police and criminal terms, codes, and abbreviations. full of secrets that Otash helped to create. What follows is a wild romp through a multiplicity of cultural and political spheres that perfectly encapsulates the dirty, ruthless L.A. Everyone has an agenda, and they all want something from Otash. After following the huge star for months and ending up with more questions than answers, Otash suddenly finds himself once again on the side of the law, trying to undo some of what he did, hiding important information to protect others, and rubbing elbows with local law enforcement as well as Jack and Bobby Kennedy. The Monroe job went deep, but the new assignment goes much deeper and all the way to the White House. Then Monroe dies from what looks like an accidental overdose and everything changes. He needs to know everything Monroe says and does, and that includes her relationships with John F. Freddy follows her in his car to every pill party, meeting, and secret rendezvous. They infiltrate the movie she's working on. They listen in on all her phone calls and look at her from observation posts they rent for that sole purpose. For almost four months, Freddy and his gang tail Monroe. He wants to know everything Marilyn Monroe is up to. Freddy Otash is working his private eye gig, collecting information, spying on people, and making money. At the time, I called it the most Ellroy novel he had ever written. Readers first met Otash in Widespread Panic, Ellroy's 2021 novel about the seedy underbelly of 1950s L.A. The Enchanters marks the return of Freddy O, a disgraced ex-LAPD cop and Confidential magazine dirt digger turned shifty private investigator and Hollywood fixer. James Ellroy's The Enchanters is classic Ellroy: a filthy, boozy, fast-paced, violent romp through the history and important figures of early 1960s Los Angeles, all told in Otash's frantic voice. So is Freddy Otash, and he's trying to dig up the most important dirt of his infamous career.
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